Post Series: The Citrus Series: Experimental Poetry Form: Acrostic matching and rhyming

In the Citrus Series post on June 16th, it was mentioned in the explanation of the poem, that one reason a sonnet was chosen for part of the poem, was that a sonnet did not have repeating lines.  The idea was, that given that the poem was an acrostic poem using the phrase “Unripe Citrus Fruit”, that a poetry form, such as a triolet, would not fit, because the repeats would not match the acrostic characteristic of the poem.  It was mentioned that, to have a repeating poem match the acrostic nature of the poem, that an experimental poetry form would need to be used.  That is the basis of this experimental poetry form.

The general structure of the experimental poetry form consists of three aspects:

  1. It is an acrostic poem of a short phrase.
  2. The letters in the phrase that match, correspond to matching sets of lines in the poem.
  3. The group of letters that appear only once in the phrase, are rhyming lines in the poem.

As an illustration, here is how the form applies to the phrase “Unripe Citrus Fruit”:

  • The poem is an acrostic poem of the phrase “Unripe Citrus Fruit”
  • The first, eleventh, and fifteenth lines of the poem are the same
  • The fourth, eighth, and sixteenth lines of the poem are the same
  • The third, tenth, and fourteenth lines of the poem are the same
  • The ninth and seventeenth lines of the poem are the same
  • The second, fifth, sixth, seventh, twelve, and thirteenth lines of the poem rhyme

The matching sets of lines, match the matching letters in the phrase “Unripe Citrus Fruit”.  For example, the “U” lines match.  The letters in the phrase that only appear once, such as “N”, are the rhyming lines.

This is a specific example of the general experimental poetry form.  Its use would vary depending on the starting phrase.

Here is an example poem, in the form, using the phrase “Unripe Citrus Fruit” and inspired by the photograph of the series:

Underneath the sun,
next to leaves that are green,
reclining behind a leaf,
it seems to rest.

  Perhaps it seeks to glean,
  enchantment from what is seen,
  content as it does lean.

It seems to rest,
there where it is,
reclining behind a leaf,
underneath the sun.

Seeking what rest does mean,
finding no need to preen,
  reclining behind a leaf,
  underneath the sun,
it seems to rest,
there where it is.

 

P.S.  Today on MSakran.com, there is a new set of photography, artwork, poetry and fiction.  As mentioned before, the photograph, artwork and fiction can inspire poetry, and the poem there can be read.

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