Poem with an explanation: the darkness of irrationality

The darkness of irrationality,
in the twilight of sensibility,
the sounds and glimpses,
transform and grow,
and there in the shadows,
where the metal turns,
translucent forms,
hide in the fog.

 

This poem is about someone being afraid.  They are home alone, at night, and a sense of fear comes over them.

The first line, The darkness of irrationality, shows that the person’s fear isn’t founded on anything specific.  They have a fear that there is someone outside their home who wants to come inside and do them harm.  The person though, isn’t afraid of someone they know, or someone nearby, or something they heard in the news.  They are simply afraid.  They have a fear of what might or could be.

The second line, in the twilight of sensibility, is meant to contrast with the first.  While the person’s general fear is irrational, the idea of their fear isn’t.  There could be someone outside.  There is the real possibility of a home invasion or some other kind of harm.  There is a sense of sensibility in the person being aware and cautious of the possibility.  The person though, goes to the level of irrationality in the sense that they are continuously afraid of the idea.

The first line and the second line are meant to show a contrast through their form.  Both lines are ten syllables long.  The first line has darkness, while the second has twilight.  The first line has irrationality, while the second has sensibility.  The equal lengths paired with the opposite words shows the contrast of the ideas.

The third line, the sounds and glimpses, describes the audial and visual things that increase the person’s fear.  The person hears many noises.  Their heater makes a noise.  Their refrigerator makes a noise.  The house creaks.  They also see things like reflections or things out of the corner of their eye.  These things are interpreted by the person as signs of what they fear.  They believe each noise is someone outside and each sight might be someone inside.

The fourth line, transform and grow, refers to the sounds and glimpses of the third line.  As the person grows more afraid, the idea of what could be causing the sounds and glimpses grows.  The person becomes more afraid with each instance.

The fifth and sixth lines, and there in the shadows, where the metal turns, describes the unseen places of the person’s house.  They imagine that there is someone outside of these places trying to get in.  This “getting in” is described as a lock turning or, where the metal turns.  They have the horror movie image of a lock slowly turning, in their mind.

The eighth line, translucent forms, describes who the person is afraid of.  It is a vague image of a person.  It is what they imagine an intruder would look like.  It is a composite of criminal images they have seen.  The image is vague and not defined because the person is afraid of an idea more than of an actual person.  The vagueness is shown through the idea of the forms being translucent.

The last line, hide in the fog, shows that, partially, the person is afraid of the unknown.  They are afraid of what they can’t see outside.  Also, it shows the confusion of their fear.

This poem is about a person afraid alone at night in their house.  The idea of it is to describe, in some sense, the haziness of the person’s fear.  The person is afraid, but their fear, in some sense, isn’t based on anything substantial.  The person is mainly afraid of the possibility of something.  They, in some sense, want to be on guard for it.

The poem isn’t meant to criticize the person for their fear.  Describing the fear as irrational isn’t meant to imply that the person is.  The idea of the poem is meant to describe how an irrational fear can grow, even in a rational person, under certain conditions.

P. S. Do you like poems with explanations? Did you know that M. Sakran has an eBook of them?  It is true.  You can learn more about the eBook and purchase a copy from here: Understanding: poems with explanations.

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